“MY FANTASY RACER”
A Television Reality Concept
TITLE: MY FANTASY RACER
AUTHOR: Terry D. Hilmer
This concept is WGAW Registered, # ®1282677
United States Copyright - Terry D. Hilmer 2008
GENRE: Reality TV
PITCH: “Average Joe” meets the “NASCAR Experience”/”Race Day”
LOG LINE: The “Average Joe” experiences all the thrills and spills of behind the wheel driving in NASCAR Style Racing.
SYNOPSIS: With all the spirit and excitement of a seasoned racecar driver, the “average Joe” will receive the opportunity to get behind the wheel of a true racing car to compete for cash and prizes. Each week, twelve (12) contestants will be randomly selected from applicants who meet minimum qualification requirements. Those selected will attend the “driving experience” in classroom training, on track instruction, in car training, with a professional critique of their driving ability. When the training is completed, the competition begins. The twelve (12) driver contestants will give their best effort to be the first to get the “Checkered Flag” and gain the title of winner in the approximate 15 minute race. All the thrills and chills of the action is captured by on track and in car camera’s. At the end of the 12 week season, the winner from each of the previous weeks race, will return for a “refresher” course before the Championship Race begins. The winner in the final episode race, will receive the “MY FANTASY RACER” Cup, along with appropriate cash and prizes. Who knows, the next great racer may even be discovered.
PROGRAM
OUTLINE: (Prior to the show’s taping)
Each week, selected contestants who meet minimum qualification requirements, attend a pre-designated training facility. They participate in a mandatory in class training program, and be required to attend an on track training session (to be determined by the school). At such time as the instructor believes the individual is competent to drive, the contestant will then be qualified to drive a race car subject to initial rules and conditions to familiarize themselves with the cars handling and performance. The instructor will provide each driver with a critique of their driving ability. After a rigorous training program is completed and the instructor(s) have “signed off” on each contestant, the drivers will compete individually for the pole position by making a three lap time trial with placement for the start of the race determined by their effort. The instructor assigned to each contestant will serve in the capacity of that driver’s pit chief, communicating and coaching the driver during the race from a spotter position.
(During the show)
The highlights of the week long training session will be aired at the beginning of the show. This will include the time trial qualifications, class room training, on track training, and brief interviews with the contestants/drivers. The show will build to the grand finale’ in which the competition between the drivers leading to the “MY FANTASY RACER” Checkered Flag and crowing of that week’s winner. During each race, there will be a mandatory pit stop for car inspection and safety inspections. This will be standard format for the entire seasons races which culminate with the final Championship Race between the winners of the 12 weekly races. The Championship Race will require additional training sessions with the final race extended to accommodate the two hour season finale. The Champion will receive the “MY FANTASY RACER” Cup along with other prizes including but not limited to race passes, etc. As a grand prize, the winner could receive a full week vacation in a motor home at the Daytona 500, or race of their choice, and a possible chance to drive the pace car at that race.
FUNDING: A: Individual Car Sponsorship for each vehicle used in the program
B: Paid Program Advertising
C: Sponsored prizes
D: Investor Funding
E: Network Sponsorship
CONTESTANT QUALIFICATION:
1. All contestants must be at least 18 years of age on or before any racing competition.
2. All contestants must provide a doctor physical and release of health status current within sixty days of submitting application
3. Contestants must be physically able to climb in and out of the racecar without special consideration or aid.
4. Contestants must sign a Waiver of Injury to hold harmless the “Racing Experience”, the television program, its producers, investors and sponsors, and all individuals/parties associated with the program. The contestant assumes all liability for their participation in the program.
5. Contestants must possess a valid driver license.
6. Selected contestants will be required to attend the in class training program.
7. Selected contestants will be required to attend on track training.
8. Selected contestants will be required to meet minimum racing time qualifications.
9. Winners of the weekly competition will be required to return for the Championship race.
10. Winners of the weekly competition will agree not to participate in any other driver training class during the 13 weeks of the race season, prior to or after, winning our weekly competition or prior to the Championship Race.
These are preliminary rules subject to change or amendment by a legal department.
This Concept is WGAw Registered # ®1282677
For additional information, please contact the author, Terry D. Hilmer at:
TerryDeeAZ@aol.com or www.TerryDHilmerGroup.com
And visit MY FANTASY RACER at: www.MyFantasyRacer.com
The MY FANTASY RACER accompanies any Option/Sale of this Concept.
AUTHOR BIO: Terry D. Hilmer is a trained paralegal turn professional writer with a forte„ for screenplay writing. His works include; “THOU SHALT NOT KILL” currently under Representation Agreement with a New York Literary Agency; “DOUBLE EDGE JUSTICE”; “KARMA REVENGE”; “MADELINE”; “RED GIANT” and “GET BORN AGAIN, the Layne Staley Story” penned from the book “Layne Staley: Get Born Again” by Author/Journalist Adriana Rubio. This project is prepared for filming this summer. Mr. Hilmer has also developed three television concepts “WE THE PEOPLE, In Prime Time” currently being pitched for the Reality TV genre; “HEAVEN TONIGHT, Starring St. Peter with Gabriel and his Angelic Orchestra” and his newest creation, “MY FANTASY RACER” being pitched for production. As a paralegal, Mr. Hilmer’s ability to research and find the story behind the story is phenomenal. He manages to brings an emotional new insight to the real life stories he tells, and brings life and personality to the characters he writes about, whether a famous legend, or diabolical killer. For more information about Terry D. Hilmer, author, visit the Terry D. Hilmer Group at: www.TerryDHilmerGroup.com.
Saturday, June 21, 2008
GET BORN AGAIN, The Layne Staley Story
TITLE: “GET BORN AGAIN”
“The Layne Staley Story”
AUTHOR: Terry D. Hilmer
The Terry D. Hilmer Group
GENRE: True Life - Drama
LENGTH: 94 Pages - 29,938 Words - Current State = 16 Music Videos
LOG LINE: Front man for heavy metal rock bands “Alice In Chains” and “Mad Season“, the legendary signer songwriter Layne Staley catapulted from the Seattle grunge rock scene to become an iconic rock star living a life that would eventually become his own demise.
SYNOPSIS: As a music icon, Layne Thomas Staley stands as a god among the heavy metal grunge rockers to skyrocket from that unique music scene birthed in the Seattle, Washington underground. At age fifteen, Staley and his friend Jerry Cantrell first formed the band, Alice In Chains with Sean Kinney and Mike Starr. Starr would later leave the band to be replaced by Mike Inez. To present his independent musical expression, Layne Staley formed the band Mad Season in 1995 while continuing his studio sessions with Alice In Chains. Obvious he was an accomplished rock star, Staley’s creative talents were not limited to his music only. His pen and ink artwork and paintings not only adorned the covers of albums and stage settings, he occasioned display at Seattle’s Sharp Wit Gallery. He also enjoyed clay sculpting as well as the poetry he often used in his lyrics. A product of his own making, the rock star life style sometimes takes its toll and whether by peer pressure or societal expectation, his creative addiction included his music, his art, his beloved Demri and of course experimentation with the drugs that eventually cost him his life. Based on the book; “Layne Staley: Get Born Again” by author/journalist Adriana Rubio, the movie “GET BORN AGAIN, the Layne Staley Story” is a celebration of the music, the myth, and the legend that was Layne Staley’s life.
“The Layne Staley Story”
AUTHOR: Terry D. Hilmer
The Terry D. Hilmer Group
GENRE: True Life - Drama
LENGTH: 94 Pages - 29,938 Words - Current State = 16 Music Videos
LOG LINE: Front man for heavy metal rock bands “Alice In Chains” and “Mad Season“, the legendary signer songwriter Layne Staley catapulted from the Seattle grunge rock scene to become an iconic rock star living a life that would eventually become his own demise.
SYNOPSIS: As a music icon, Layne Thomas Staley stands as a god among the heavy metal grunge rockers to skyrocket from that unique music scene birthed in the Seattle, Washington underground. At age fifteen, Staley and his friend Jerry Cantrell first formed the band, Alice In Chains with Sean Kinney and Mike Starr. Starr would later leave the band to be replaced by Mike Inez. To present his independent musical expression, Layne Staley formed the band Mad Season in 1995 while continuing his studio sessions with Alice In Chains. Obvious he was an accomplished rock star, Staley’s creative talents were not limited to his music only. His pen and ink artwork and paintings not only adorned the covers of albums and stage settings, he occasioned display at Seattle’s Sharp Wit Gallery. He also enjoyed clay sculpting as well as the poetry he often used in his lyrics. A product of his own making, the rock star life style sometimes takes its toll and whether by peer pressure or societal expectation, his creative addiction included his music, his art, his beloved Demri and of course experimentation with the drugs that eventually cost him his life. Based on the book; “Layne Staley: Get Born Again” by author/journalist Adriana Rubio, the movie “GET BORN AGAIN, the Layne Staley Story” is a celebration of the music, the myth, and the legend that was Layne Staley’s life.
WE THE PEOPLE, In Prime Time
TITLE: “WE THE PEOPLE, In Prime Time”
AUTHOR: Terry D. Hilmer
GENRE: Reality TV DEMOGRAPHY: The regular viewer of this program will be Caucasian and African American in the age range of from 24 to 62. Primarily, they will be blue-collar any middle management types with incomes in the upper-lower to lower-upper bracket. It s estimated that 30% will have children living at home and view the program as a weekly family activity.
PITCH: “Judy Judge” meets “American Idol” and “Deal or No Deal”.
LOG LINE: “WE THE PEOPLE, In Prime Time” is a riveting examination of conflict and the human condition having an irresistible personal connection enthralling viewers into the action with a ground breaking interactive twist. As the next generation of Reality TV “WE THE PEOPLE, In Prime Time” is a unique configuration of three success driven formats, which defies comparison. It offers entertainment and educational value in an environment that is not offensive, shocking or weird. As the first of its kind, it offers the network an inimitable opportunity for self-promotion with a program that can be financially self-supporting.
SYNOPSIS: “WE THE PEOPLE, In Prime Time” provides viewers with an interactive look into the American Institution of the Civil Court Justice System. While other reality based courtroom dramas look at the personal disputes of the Small Claims Court, “WE THE PEOPLE, In Prime Time” reaches beyond landlord-tenant disputes providing insight into the life changing high stakes of the Civil Court and the American Jury System. In this forum, “WE THE PEOPLE, In Prime Time” becomes the Court of Public Opinion with an interactive twist that allows the home viewer to participate as members of the jury.
With all the spirit of any game show, the participants, (plaintiff and Defendant) will compete, within specific time limits to present their best case (complaint/defense) to the jury (viewers) using all the heart of a talent contest. A real life judge will preside over the action to ensure decorum and compliance with applicable rules of this court. Each of the Pro Se party’s are provided approximately twelve minutes to present their initial arguments, any evidence and witnesses. At conclusion of the initial arguments, the judge will field questions to ensure all key elements are, disclosed. Following, the party’s have an opportunity to make a three or four minute final closing statement to the jury (viewers). Concluding the one-hour episode, the judge will issue appropriate jury instruction, including application of law, for deciding the case.
Simultaneously, the show’s website will present the evidence, the complaint and answer originally filed in the case, applicable case histories and prevailing law for the jury’s review. This website provides a unique forum for network self-promotion. The jury (viewer’s) will have three hours to view the evidence and render their verdict by calling one of three telephone numbers (1) in favor of the plaintiff; (2) in favor of the defendant; and (3) a No Contest decision. There will be a stipend charge for voting, which is used to re-seed awards given during each episode thereby making the show financially self-supporting.
The following evening, during an abbreviated version of the show, a panel of at least two attorney’s, representing a prosecution and defense attorney’s train of thought, will render their opinions about the presentations of the litigants and what they believe the outcome will be. The total number of voting calls generated along with the number of hits on the website during the same period will provide an inside look at just how seriously the American Public takes their responsibility in serving on the jury. Then, the actual vote tally presented with the judge distributing awards according to the percentage of votes received for both parties from the total award sought by the action, less any No Contest votes. The matter is settled, with no out of pocket expense to either litigant, hence the attraction of having their case presented in this forum.
AUTHOR: Terry D. Hilmer
GENRE: Reality TV DEMOGRAPHY: The regular viewer of this program will be Caucasian and African American in the age range of from 24 to 62. Primarily, they will be blue-collar any middle management types with incomes in the upper-lower to lower-upper bracket. It s estimated that 30% will have children living at home and view the program as a weekly family activity.
PITCH: “Judy Judge” meets “American Idol” and “Deal or No Deal”.
LOG LINE: “WE THE PEOPLE, In Prime Time” is a riveting examination of conflict and the human condition having an irresistible personal connection enthralling viewers into the action with a ground breaking interactive twist. As the next generation of Reality TV “WE THE PEOPLE, In Prime Time” is a unique configuration of three success driven formats, which defies comparison. It offers entertainment and educational value in an environment that is not offensive, shocking or weird. As the first of its kind, it offers the network an inimitable opportunity for self-promotion with a program that can be financially self-supporting.
SYNOPSIS: “WE THE PEOPLE, In Prime Time” provides viewers with an interactive look into the American Institution of the Civil Court Justice System. While other reality based courtroom dramas look at the personal disputes of the Small Claims Court, “WE THE PEOPLE, In Prime Time” reaches beyond landlord-tenant disputes providing insight into the life changing high stakes of the Civil Court and the American Jury System. In this forum, “WE THE PEOPLE, In Prime Time” becomes the Court of Public Opinion with an interactive twist that allows the home viewer to participate as members of the jury.
With all the spirit of any game show, the participants, (plaintiff and Defendant) will compete, within specific time limits to present their best case (complaint/defense) to the jury (viewers) using all the heart of a talent contest. A real life judge will preside over the action to ensure decorum and compliance with applicable rules of this court. Each of the Pro Se party’s are provided approximately twelve minutes to present their initial arguments, any evidence and witnesses. At conclusion of the initial arguments, the judge will field questions to ensure all key elements are, disclosed. Following, the party’s have an opportunity to make a three or four minute final closing statement to the jury (viewers). Concluding the one-hour episode, the judge will issue appropriate jury instruction, including application of law, for deciding the case.
Simultaneously, the show’s website will present the evidence, the complaint and answer originally filed in the case, applicable case histories and prevailing law for the jury’s review. This website provides a unique forum for network self-promotion. The jury (viewer’s) will have three hours to view the evidence and render their verdict by calling one of three telephone numbers (1) in favor of the plaintiff; (2) in favor of the defendant; and (3) a No Contest decision. There will be a stipend charge for voting, which is used to re-seed awards given during each episode thereby making the show financially self-supporting.
The following evening, during an abbreviated version of the show, a panel of at least two attorney’s, representing a prosecution and defense attorney’s train of thought, will render their opinions about the presentations of the litigants and what they believe the outcome will be. The total number of voting calls generated along with the number of hits on the website during the same period will provide an inside look at just how seriously the American Public takes their responsibility in serving on the jury. Then, the actual vote tally presented with the judge distributing awards according to the percentage of votes received for both parties from the total award sought by the action, less any No Contest votes. The matter is settled, with no out of pocket expense to either litigant, hence the attraction of having their case presented in this forum.
THOU SHALT NOT KILL - Synopsis and Log Line
TITLE: THOU SHALT NOT KILL
The Reverend John David Terry Story
AUTHOR: Terry D. Hilmer
GENRE: True Crime - Drama
PAGES: 118 pgs, incl. Title Page, 30,619 words (in format program)
LOG LINE: Taunted by emotional turmoil, feelings of failure and earths wanton desires, the Reverend John David Terry devises a scheme to commit mortal man’s ultimate sin.
SYNOPSIS: Like many people, John David Terry’s childhood dream was to win the world by making lots of money and living the proverbial “good life”. His dreams of grandeur, like the plague, taunt him throughout his life. Constantly beyond his grasp, his dreams become the catalyst for fostering bouts with depression stemming from his feelings of failure and inadequacy. Extreme financial pressures lead to hopelessness, which arms him with his own justification to begin embezzling money from his church. Initially, he convinces himself that the money is only a loan and he intends to re-pay it one day. However, after too many months of indiscretions, he realizes he has gotten in, over his head. Following a series of disappointments and emotional tribulations, he concludes there are only two ways out of his current predicament, either he get the Bishop’s job on the Bishop’s rumored retirement, or to stage a catastrophic event designed to conceal his misappropriation allowing him to a new lease on life. Methodically, the reverend prepares for both contingencies until finally; the Bishop announces he will not retire. The preacher then sets the wheels in motion for his fall from grace and orchestrates his own transformation from the beloved pastor, to premeditated murderer. This is the true- life story of the Reverend John David Terry’s demise.
AUTHOR BIO: Terry D. Hilmer is a paralegal turned professional author. His uncanny ability to find the story behind the story brings new life and personality to the characters and the stories he writes about. Mr. Hilmer has recently penned a book-to-film feature entitled; “GET BORN AGAIN, the Layne Staley Story” based on the book “Layne Staley: Get Born Again” by author/journalist Adriana Rubio. That work has been accepted and scheduled to begin production in mid 2008. Other screenplays written by Mr. Hilmer include the present offering and the following titles. “Double Edge Justice”, “Madeline”, “Right to Remain Silent”, “Karma Revenge”, and two Television series concepts; “WE THE PEOPLE, In Prime Time” (a reality based television court program), and “HEAVEN TONIGHT, starring St. Peter with Gabriel and his Angelic Orchestra” (a talk and variety show from the “other side”). In his writing, Mr. Hilmer stirs emotion and generates new understanding to the mind’s eye.
Visit: Terry D. Hilmer at: www.terrydhilmergroup.com
Current Script Length: 30,619 words, includes Title Page (in format program)
Created using CELTX Screenplay Software.
Number of Pages: 118 pages, including Title Page.
Market/Demographics: Although anyone interested in true life crime drama would be drawn to this movie, its major audience will consist of viewers 19 to 42 years of age, in the mid-lower to lower-upper income bracket, mostly white and African American blue collar workers coupled with low to middle management executives.
Character Summary: 2 Main Characters, 13 Secondary Characters
35 Supporting characters, and 20-30 Extras throughout
various scenes
(spectators at the church fire, people at the lake and spectators
at the jail and courtroom scenes)
The Reverend John David Terry Story
AUTHOR: Terry D. Hilmer
GENRE: True Crime - Drama
PAGES: 118 pgs, incl. Title Page, 30,619 words (in format program)
LOG LINE: Taunted by emotional turmoil, feelings of failure and earths wanton desires, the Reverend John David Terry devises a scheme to commit mortal man’s ultimate sin.
SYNOPSIS: Like many people, John David Terry’s childhood dream was to win the world by making lots of money and living the proverbial “good life”. His dreams of grandeur, like the plague, taunt him throughout his life. Constantly beyond his grasp, his dreams become the catalyst for fostering bouts with depression stemming from his feelings of failure and inadequacy. Extreme financial pressures lead to hopelessness, which arms him with his own justification to begin embezzling money from his church. Initially, he convinces himself that the money is only a loan and he intends to re-pay it one day. However, after too many months of indiscretions, he realizes he has gotten in, over his head. Following a series of disappointments and emotional tribulations, he concludes there are only two ways out of his current predicament, either he get the Bishop’s job on the Bishop’s rumored retirement, or to stage a catastrophic event designed to conceal his misappropriation allowing him to a new lease on life. Methodically, the reverend prepares for both contingencies until finally; the Bishop announces he will not retire. The preacher then sets the wheels in motion for his fall from grace and orchestrates his own transformation from the beloved pastor, to premeditated murderer. This is the true- life story of the Reverend John David Terry’s demise.
AUTHOR BIO: Terry D. Hilmer is a paralegal turned professional author. His uncanny ability to find the story behind the story brings new life and personality to the characters and the stories he writes about. Mr. Hilmer has recently penned a book-to-film feature entitled; “GET BORN AGAIN, the Layne Staley Story” based on the book “Layne Staley: Get Born Again” by author/journalist Adriana Rubio. That work has been accepted and scheduled to begin production in mid 2008. Other screenplays written by Mr. Hilmer include the present offering and the following titles. “Double Edge Justice”, “Madeline”, “Right to Remain Silent”, “Karma Revenge”, and two Television series concepts; “WE THE PEOPLE, In Prime Time” (a reality based television court program), and “HEAVEN TONIGHT, starring St. Peter with Gabriel and his Angelic Orchestra” (a talk and variety show from the “other side”). In his writing, Mr. Hilmer stirs emotion and generates new understanding to the mind’s eye.
Visit: Terry D. Hilmer at: www.terrydhilmergroup.com
Current Script Length: 30,619 words, includes Title Page (in format program)
Created using CELTX Screenplay Software.
Number of Pages: 118 pages, including Title Page.
Market/Demographics: Although anyone interested in true life crime drama would be drawn to this movie, its major audience will consist of viewers 19 to 42 years of age, in the mid-lower to lower-upper income bracket, mostly white and African American blue collar workers coupled with low to middle management executives.
Character Summary: 2 Main Characters, 13 Secondary Characters
35 Supporting characters, and 20-30 Extras throughout
various scenes
(spectators at the church fire, people at the lake and spectators
at the jail and courtroom scenes)
Subscribe to:
Posts (Atom)
